A pair of large rose granite vases with an inverted twist stem, standing on a square plinth base.French work, Louis XIV period, 17th Century. : French work, Louis XIV period, 17th Century.
	A lovely and exceptional casket of cambered shape, built on fir and yew wood,Ê and decorated with ebony, holly, satin-wood foliated scrolls and leaves on an amaranth background;Ê Ê : Epoque Louis XIV vers 1680
	Oil on canvas: Winter time by Henri de Favanne. Henri de Favanne was born on October 3rd 1668, of French parents living in London. His father Antoine was Master of Royal Hunt of King Charles II. He arrived in Paris in 1687, became student of René Antoine Houasse. Later he moved to Rome where he became a friend of Monsieur d’Aubigny, secretary of princess des Ursins. In 1704, he is admitted to the Academy,Ê thenÊ from 1706 to 1713, we find him in Spain where he works for the Princess des Ursins circle. Finally, he moves back to France where he starts the decoration of Château de Chanteloup. He becomes a teacher of the Academy in 1725 then Vice Director in 1748. He attends exhibitions from 1737 to 1752. He passed away in Paris on April 27th 1752. Stamped : Attributed to Henri de Favanne 1668/1752 - Beginning of 18th Century - Period : Epoque début du XVIIIème siècle
	Lovely enameled silver box decorated with flowers and birds on a yellow background.1753 hallmark.Ê Stamped : 1753 hallmark. - Period : 1753
	Exceptional red marble, polychrome carved wood console table in its genuine original condition, design after Contant d'Ivry.Attributed to Nicolas Heurtaut who qualified as a master on December 9thÊ 1755 in Paris; Stamped : Attribuée à Heurtaut - Period : Paris circa 1755
	Very fine oil on canvas with a carved gilt wood frame. Attributed to Pandolfo Reschi. (Danzig 1640-Florence 1696). Famous as a battle and landscape painter. He moved to Italy at a very young age and was trained by Jacques Courtois.ÊÊ Stamped : Attribué à Pandolfo Reschi - : 18th CenturyÊ
	A very fine suite of six large Louis XV flat backed armchairs and a corbel sofa. Painted carved wood in its original condition. Upholstered with Aubusson tapestry after La Fontaine fables.Ê Period : Paris circa 1750, Louis XV period. Ê Ê
	Beautiful painted carved wood sofa “en corbeille" (undulating shape), standing on eight cambered legs. Winding cross bars. Century : Paris circa 1755, Louis XV period
	Period :
	Very fine marquetry box, satin wood, rosewood, violet wood, amaranth and tinted wood.Ê Ê Stamped : Attributed to Latz.Ê Paris, circa 1760. - Period : 18th Century; Louis xv
	Lovely Louis XV rococo box.Ê Ê Period : 18th Century circa 1740.
	Large 17th Century ebony cabinet entirely decorated with paesine marble panels.Ê ItÊ presents twelve drawers and a central door. Paesine is a special marble from Tuscany representing landscapes of ruins. Panels of paesine used for cabinets and chests were quite popular in Tuscany especially under Cosme II. Century : Florence 17th Century
	Pair of Louis XVI grey painted armchairs with moulded cartouche-shaped backrest. Padded scroll arms on incurved supports, moulded serpentine front rail raised on circular fluted tapering legs headed by decorative cubes. Stamped : Bonnemain - Period : Transition Louis XV-Louis XVI
	A Louis XV black European lacquer and ormolu commode by Léonard Boudin.Ê Decorated with unique oriental sea sceneries on three sides including a three mast galleon anchored in a bay facing a pagoda. Brèche d'Alep marble top. The commode is fitted with beautiful genuine ormolu bronze mounts. Stamped : L. Boudin et JME, reçu maître le 4 mars 1761. - Century : Louis XV period, circa 1765.
	A very beautifull pair of Louis XIV torchères in silver wood original. Period : Louis XIV period, circa 1650-1660.
	Exceptional walnut architect desk. Sliding top which can be unfolded in different ways using several rack rails.England , 19th Century. Stamped : Lever - : England , 19th Century.
	A pair of Louis XVI armchairs by Brizard. Detached columns back topped by an ionic capital. Stamped : Brizard - Period : Louis XVI eighteen century
	A pair of flower pot holders made of lacquered metal sheet, decorated with Chinese designs.18th Century . : 18th Century .
	Gilt and engraved pedestal table. Marble marquetry top representing a chessboard.French Restauration period. Paris, circa 1815. Period : Paris vers 1820
	A gilt wood table console circa 1720-1730; with later mottled-brown rectangular marble top within a strapwork and foliate-carved, with pierced frieze with a central scallop-shell, on scroll-headed cabriole leg carved with acanthus and floral garlands. Period : circa 1720-1730
	Stamped : Attribuée à Martin Carlin - :
	A Louis XVI ormolu-mounted rosewood tric-trac table; the reversible rectangular brown leather-lined top with three-quarter rim and baize lined playing-surface to the reverse, enclosing and ebony tric-trac board inlaid with natural and green-stained ivory. Period : Louis XVI , 18th century.
	Beautiful and rare mahogany écritoire with a slanted top opening to reveal a storage space. Opening on the frieze with one drawer containing two inkwells spaces. On four tall fine legs supporting two shelves and ending with ormolu caps and original wooden castors. Period : Louis XVI , 18th Century
	Period :
	Set of four cane armchairs attributed to Gourdin.Ê Carved palm tree twigs climbing along the straight backseat so called "à la reine". Two similar armchairs can be seen one in the Louvre Museum in Paris and the second in the Condé Museum in Chantilly. Stamped : Attributed to Gourdin. - Period : Paris circa 1720
	A set of six solid wild cherry tree wood dining chairs carved with acanthus leaves.Ê Beautiful work of the Rhône valley. Stamped : work of the Rhône valley. - Century : circa 1730
	Stamped : M.G. Craemer JME - Period :
	Exceptional solid carved mahogany desk armchairEngland, George II period 18th Century circa 1750 Century : 18th century
	Lovely and very rare engraved and gilt bronze applied console decorated with stylized acanthus leaves.Louis XV period 18th Century.Ê Period : Louis XV period 18th Century.
	Those paintings on étoffe de lin (linen), are fine example of the arabesque style, a design which became increasingly popular in the decorative arts during the 1780s. The fashion for foliage mixed with floral garlands and vases appears in many private Parisian houses around this time. The designs harmoniously blend iconography and symbolism: floral garlands, bouquets, scrolling foliage, and palm fronds surround central medallionds illustrating scenes. Period : Louis XVI. Circa 1780
	Painting attributed to Francis Wheatley confirmed by the expert Gerard Bea. Period : XVIIIth century
	Period :
	Brazilian rosewood Mazarine commode with four lines of drawers. Top inlaid with a geometrical pattern. Gilt bronze setting and cabriole legs.Louis XIV period Period : Louis XIV
	Modular mahogany secretary made of three parts which can be disassembled. Molded feet, blue turquin marble top. In spite of an apparent simplicity, very elegant secretary as a result of its selection of refined wood and finely carved gilt bronze mounts. Stamped : Estampillé: A. WEISWELER. - Period : XVIIIth century; Louis XVI
	Two tone ormolu bronze clock decorated at the top by a superb shining Apollo mask, Acanthus leaves and pearls design. Turquin marble base. Openwork dial by Jacques Auguste Detour in Paris. A similar clock can be seen in François Duesberg museum in Mons, Belgium Period : Louis XVI period, 18th Century.
	Pair of three-light ormolu candelabra decorated with foliage and scrolls. The two polychrome Meissen porcelain statues in the center represent a couple of musicians.Ê Period : Louis XV period, 18th Century.
	Carved wood console table with four legs . Gilt carved lime wood. The face is decorated with a woman mask on a very finely carved background. The legs exhibit foliage scrolls. Red marble top. Period : Époque Louis XIV ; Paris circa 1700
	Rare pair of oil on glass paintings in a blue camaieu. Hannibal battle scenes. Frame decorated with grotesques, architecture parts, fruit, dogs and Diana pictures.Ê Ormolu corner pieces . Carlo Garolfalo studio (Naples, circa 1692-1705). Stamped : Atelier de Carlo Garofalo - Period : XVIIth century Naples
	Mahogany Athenienne. Three wooden carved legs in a bird shape imitating patinated and gilt bronze. Silvered metal basin.Empire period, circa 1810. Period : Empire ; Paris vers 1810
	Very beautiful enemanel Louis XV box ;18th century Period : Louis XV period, 18th Century.
	A beautiful eight-light ormolu and cut glass Empire chandelier.Top corona from which issue cascades of drops down to an ormolu rim supporting eight candle branches above a bag base. Period : Empire, circa 1805.
	A pair of large TurquinÊ marble vases. Medicis shape with gadroons, foliage and acanthus leaves standing on a square plinth baseÊ with shells. Origin: Château du Bourdonné, former Garaventz collection.Louis XIV period circa 1680. Period : Louis XIV period circa 1680.
	Exceptional gilt and patinated bronze guéridon after the return from Pompeii. : Naples, circa 1800
	Important pair of two-light ormolu candelabra decoratedÊ with acanthus scrolls supporting oak leave festoons and enclosing a ram head.ÊÊAttributed to Pitoin, Louis XVI period, circa 1770. Stamped : Attribuées à Pitoin - Period : Louis XVI, 18th century
	Solid oak wood Regency cupboard.Louis XIV period. Early 18th Century. : Louis XIV
	Lovely Saxony enameledÊ box. Salmon head hallmark.Dated 1748. Period : 1748 middle 18th century
	Beautiful spar-fluorine vase with gilt bronze mounts. Base decorated with foliage. Attributed to Mathew BoultonEngland, 18th Century, circa 1780 Stamped : Attribué à Matthew BOULTON - Period : England, 18th Century, circa 1780
	Period :
	Stamped : feue comtesse de Warren, château de Madon. - Period :
	Lacquered flowerpot holder on a gilt bronze mount decorated with flowers and foliage, standing on elephant heads.Napoleon III period. Period : Napoléon III period
	A French mahogany Bibliothèque 19th century; the rectangular moulded cornice above four glazed doors, enclosing a plain interior with schelvesflanked by stop-fluted pilasters and on a plinth base. Grey Saint Ann marble top.Ê Stamped : Jacob D . François Honoré - Period : Empire circa 1810
	Mahogany game table. Removable top with a writing desk on one side and green felt on the other side. A backgammon game inside made of natural ivory and green stained ivory. Fitted with a pull outÊ ebony/ivory chess board. Origin: Château de Chanteloup, formerly collection ofÊ Amiral-Duc de Penthièvre. Stamped : R.V.L.C. - Century : Louis XVI period. Inventory number of Château de Chanteloup.
	Mahogany gueridon with an engraved and guilt bronze cornice;Ê Mahogany top. German work.End of 18th CenturyÊ Period : 18th century
	Large DuchesseÊ en bateau or Chaise longue. Carved regilt wood, circa 1750. The type and cut of molding of the legs and seatÊ backs decorated with discrete carved flowers are typical of the middle of the 18th Century illustrating the transition from the rococo style to the soberness of the Louis XV style toward the end of its period. Ê Period : Louis XV period, 18th century.
	Stamped : Cadran signé Faizant à Paris - :
	BeautifulÊ veneered middle table, Brazilian rosewood with boxwood marquetry. Marble top. Opens with two small folding doors. Solid boxwood hoofs.Italy, 18th Century. Period : Italy, 18th Century.
	Pair of chairs "à la montgolfière" (which means hot-air balloon due to its shape) by Jean-Baptiste Demay. Painted beech wood. This new design was introduced following the successful and striking take off of the hot air balloon driven by the Montgolfier brothers on September 19th 1783. The event influenced the design not only of chairs but also of clocks, jewels and all kinds of furniture decoration. Stamped : Jean Baptiste Demay ; maître en 1784 - Period : XVIIIth century
	Set of eight armchairs and a sofa upholstered with Aubusson tapestry representing Fables de la Fontaine . CarvedÊ gilt wood. Period : XVIIIth century . Louis XV
	Rosewood and amaranth veneered case clock decorated with rich engraved ormolu mounts:Ê lion head, Medicis vase, Henri IV profile, crown, laurel foliage, acorn and oak leaves. The dial is signed by Pierre Dubois in Paris. The case is stamped J. Goyer, a cabinet maker specialized in cases for clocks. Bronzes attributed to Osmond.Ê Stamped : J.Goyer - Period : Louis XVI period, 18th Century.
	Beautiful pair of candelabra made of carved walnut decorated with foliage and festoons and standing on a tripod with leaves and geometrical designs.Regency period. Early 18th Century. Period : Regency period. Early 18th Century.
	Each with chanelled back with removable padded back and drop-in seat covered in blue and with-striped silk the top and seat-rail centered by flowerhead on cabriole legs headed by flowerheads and terminating in scroll feet, one stamped once, the other twice to the inside of back-rail, one marked A the other B to same area in black pen . Stamped : Nicolas Quinibert Foliot; maître en 1729 - : Louis XV
	Pair of large ormolu andÊ patinated aiguières. HandlesÊ with scrolled winged Caryatides. Decorated with Mercury and Pegasus masks, lotus leaves and standing on a square plinth base.Restauration period, circa 1820. : Resauration Paris vers 1820
	Beautiful and large sofa, carved and painted wood decorated with clamps and scrolls, standing on eight fluted legs with a rose on each connecting die.Louis XVI period, ParisÊ circa 1780. Century : Louis XVI period, ParisÊ circa 1780.
	Beautiful Mazarin Bureau. Ebony and blackened wood decorated with a rich polychrome marquetery representingÊ floral arrangements on the front and both sides. Stripes of pewter and ivory flowers inlays. The top depicts a magnificent basket of flowers with interlaced ribbons trimmed with birds, chimeras and masks.Ê The facade is slightly rounded and incorporates six drawers laid out in two caissons separated by a larger central drawer and a folding door. It stands on eight marquetry decorated tapering legs joined by two X-shapedÊ stretchers. Gilt lock mounts of a royal lily shape.ÊÊLouis XIV period. Paris, Late 17th-early 18th Century. Stamped : Attribué à André-Charles Boulle (1642-1732) - Century : Louis XIV period. Paris, Late 17th-early 18th Century.
	Dining room side board Louis XV-Louis XVI transition period. Fitted with four doors and three drawers rosewood veneered with a butterfly wing design. Marquetry of foliation and interlacing. Beautiful bronze mounts, marble top.Stamped François Rübestück. 18th century circa 1760. Ê Stamped : François Rübestück. - : 18th century circa 1760.
	Oil on canvas representing the Fall. A young man holds a bunch of grapesÊ and a basket full of peaches, figs and grapes on a landscape background. Typical of the Casa Piola school production. Attributed to Paolo Geralamo (1666-1724) son of Domenico Piola, a famous Genoese painter.17th Century Genoa, Italy, circa 1690. Ê : 17th Century Genoa, Italy, circa 1690.
	Magnificent and exceptional four-legged console table. Finely carved gilt oak wood.Ê A beautiful, massive brèche du Languedoc marble rests on a freeze of interlacing foliage with delicately carved rais de cÏur design, garlands of forget-me-not, roses flowers and acorns. The four legs are connected by a stretcher decorated with interlaces topped by a large vase issuing garlands of flowers . Legs are terminated by gadrooned balls.Louis XVI period. Paris circa 1765 Century : Louis XVI period. Paris circa 1765
	SmallÊ sideboard curved on three sides.Ê Oak framework veneered with rosewood and amaranth. Opens up with two doors disclosing two shelves. The inside isÊ veneered with yew wood. Chased gilt bronze mount. Brèche d'Alep marble top. Stamped : Estampillé Denizot - Century : 18th Century, Paris circa 1750
	Rare pair of Louis XV chased and gilt incense burners by Hervieux after a Duplessis design. We have identified two similar pairs. One is fitting the famous King desk in Versailles produced by Oeben and Riesener. The second used to belong to the Sigismond de Bardac collection sold to the G. Petit gallery in Paris in 1920. Century : 18th Century, Paris circa 1750
	Pair of four-lightÊ ormolu patinated bronze candelabra. The lights spring out of flames hold above their heads by Putti. They stand on sphere headed columns on a square base. Signed inside the base by Chiboust.Restauration period, Paris circa 1815 Stamped : Signed inside the base by Chiboust. - Century : 19th Century, Paris circa 1815
	Lovely chased ormolu wall clock.Signed J. B. Dutertre. Louis XVI period, circa 1770. Stamped : Cadran signé J. B. Dutertre. - Century : 18th Century circa 1770
	Eight-light carved gilt wood chandelier decorated with foliage, acanthus leavesÊ and beads.Louis XIV period. Century : Louis XIV period.
	Carved two-tone painted oak console table standing on four legs. White Carrare marble top resting on aÊ pierced freeze carved with olive tree leaves and olives, and decorated with garlands of oak tree leavesÊ and acorns. Legs are topped with sunflowers and a rais de Coeur fringe.Louis XVI period, ParisÊ circa 1780. Century : 18th Century, Paris circa 1780
	Pair of large rose granite urn shaped vases.18th Century, circa 1800 Century : Late 18th Century, circa 1800
	Pair of chased ormolu Candlesticks. The stems are decorated with caryatids and the bases with pearls and acanthus leaves.Early 19th Century. Century : Early 19th Century.
	Mahogany veneered worktable . Oak frame and solid mahogany, brass moldings. The lateral posts decorated with inlaid brass flutes are fitted with casters. Brocatelle d'Espagne marble top surrounded by a thick ormolu bronze cornice.Attributed to A. Weisweiler. End of Louis XVI period, circa 1790 Stamped : Attributed to A. Weisweiler. - Century : Late 18th Century, Paris circa 1790
	Stamped : signé “Mercier à Paris” - :
	Oval small table, mahogany veneered, with an oak frame.Ê The front drawer discloses a removable pull-out lined with green leather for writing on one side and a beauty mirror on the other side. Two lateral swivel drawers. It stands on four tapered legs decorated with saw tooth chased plates on three sides and fitted with ormolu bronze sabots with casters. Fluted leg tops with grotesque masks. The table belt is decorated with a saw tooth chased gilt bronze frame and the brèche du Languedoc marble top is surrounded by an ormolu bronze cornice. Attributed to Roentgen, Louis XVI period, circa 1790. Stamped : Attributed to Roentgen, - : Louis XVI period, circa 1790.
	Small Mazarin desk red tortoise shell veneered. Fir tree frameÊ and oak tree drawers. The façade incorporates four drawers with a central door. A flap on the top discloses ,when open, four small drawers. Ebony marquetry with geometrical designs and ivory inlays. The back side is Brazil rosewoodÊ veneered. Stands on eight legs joined by a stretcher, each leg carries two carved wood gilt rings and a sphere. Steel hinges and locks, chased ormolu lock mounts.Attributed to Pierre Gole, Louis XIV period, circa 1650. Stamped : Attributed to Pierre Gole, - : Louis XIV period, circa 1650.
	Elbow high book shelf, ebony veneered on a fir tree wood structure. Decorated with brass filets on the top and the sides. Boulle marquetry with an ebony background on window paneled doors. Two fixed shelves and an indented base. Bronze lock mounts.Louis XIV period, Paris circa 1700. : Louis XIV period, Paris circa 1700.
	A Louis XV ormolu cartel clock by Pierre Leroy, Master in 1737 and clockmaker of the King.18th Century, circa 1740. Stamped : Pierre Leroy, Maître en 1737 - : 18th Century, circa 1740.