A pair of large rose granite vases with an inverted twist stem, standing on a square plinth base.French work, Louis XIV period, 17th Century. : French work, Louis XIV period, 17th Century.
	A lovely and exceptional casket of cambered shape, built on fir and yew wood, and decorated with ebony, holly, satin-wood foliated scrolls and leaves on an amaranth background; : Epoque Louis XIV vers 1680
	Oil on canvas: Winter time by Henri de Favanne. Henri de Favanne was born on October 3rd 1668, of French parents living in London. His father Antoine was Master of Royal Hunt of King Charles II. He arrived in Paris in 1687, became student of René Antoine Houasse. Later he moved to Rome where he became a friend of Monsieur d’Aubigny, secretary of princess des Ursins. In 1704, he is admitted to the Academy, then from 1706 to 1713, we find him in Spain where he works for the Princess des Ursins circle. Finally, he moves back to France where he starts the decoration of Château de Chanteloup. He becomes a teacher of the Academy in 1725 then Vice Director in 1748. He attends exhibitions from 1737 to 1752. He passed away in Paris on April 27th 1752. Stamped : Attributed to Henri de Favanne 1668/1752 - Beginning of 18th Century - Period : Epoque début du XVIIIème siècle
	Lovely enameled silver box decorated with flowers and birds on a yellow background.1753 hallmark. Stamped : 1753 hallmark. - Period : 1753
	Exceptional red marble, polychrome carved wood console table in its genuine original condition, design after Contant d'Ivry.Attributed to Nicolas Heurtaut who qualified as a master on December 9th 1755 in Paris; Stamped : Attribuée à Heurtaut - Period : Paris circa 1755
	A very fine eight legged writting desk made of blackened peer wood inlaid with brass of geometrical pattem. It reveals five drawers with chased gilt bronze handles and key escutcheons, curved legs decorated with female grotesque masks raised on leafy hooves, with inset brown leather top framed with a brass filet with a finely modeled bronze border. : Louis XIV period, circa 1700
	A very fine suite of six large Louis XV flat backed armchairs and a corbel sofa. Painted carved wood in its original condition. Upholstered with Aubusson tapestry after La Fontaine fables. Period : Paris circa 1750, Louis XV period.
	Beautiful painted carved wood sofa “en corbeille" (undulating shape), standing on eight cambered legs. Winding cross bars. Century : Paris circa 1755, Louis XV period
	Carved and gilded bronze alcove wall clock, in white enamail circular dial with arabic numerals; surmonted by a fall of tied roses and laurel branches crossed at their base supported by a ring; pearled chains. Period : circa 1785 Louis XVI
	Very fine marquetry box, satin wood, rosewood, violet wood, amaranth and tinted wood. Stamped : Attributed to Latz. Paris, circa 1760. - Period : 18th Century; Louis xv
	Lovely Louis XV rococo box. Period : 18th Century circa 1740.
	Large 17th Century ebony cabinet entirely decorated with paesine marble panels. It presents twelve drawers and a central door. Paesine is a special marble from Tuscany representing landscapes of ruins. Panels of paesine used for cabinets and chests were quite popular in Tuscany especially under Cosme II. Century : Florence 17th Century
	Pair of Louis XVI grey painted armchairs with moulded cartouche-shaped backrest. Padded scroll arms on incurved supports, moulded serpentine front rail raised on circular fluted tapering legs headed by decorative cubes. Stamped : Bonnemain - Period : Transition Louis XV-Louis XVI
	A Louis XV black European lacquer and ormolu commode by Léonard Boudin. Decorated with unique oriental sea sceneries on three sides including a three mast galleon anchored in a bay facing a pagoda. Brèche d'Alep marble top. The commode is fitted with beautiful genuine ormolu bronze mounts. Stamped : L. Boudin et JME, reçu maître le 4 mars 1761. - Century : Louis XV period, circa 1765.
	A very beautifull pair of Louis XIV torchères in silver wood original. Period : Louis XIV period, circa 1650-1660.
	A gilt bronze clock and white marble, the movement by G.Baptiste Georges in Paris Stamped : movement by G. Baptiste Georges à Paris - : Louis XVI period, circa 1780
	A mahogany and mahogany veneered game table with a frieze drawer, the unfolding top revealing the game board with a green felt lining, gilt bronze mounts. Stamped : Jean Henri Riesener (maître January 23 rd 1768) et de Charles Erdman Richter (maître February 4th 1784) - Period : Louis XVI
	A pair of flower pot holders made of lacquered metal sheet, decorated with Chinese designs.18th Century . : 18th Century .
	A suite of Louis XV gild molded wood seat furniture comprising eight armchairs, round shaped flat padded backrest, very elegant “ coup de fouet” shape. Period : 18 th century circa 1755
	A gilt wood table console circa 1720-1730; with later mottled-brown rectangular marble top within a strapwork and foliate-carved, with pierced frieze with a central scallop-shell, on scroll-headed cabriole leg carved with acanthus and floral garlands. Period : circa 1720-1730
	Very fine rose wood and rose wood veneered workbox, standing on three tapered legs, decorated with boxwood filets, with four flaps opening on two levels. Beautiful gilt bronze mounts . Inside of the boxes lined with green silk. Stamped : Attributed to Martin Carlin - : Louis XVI period, circa 1770
	A Louis XVI ormolu-mounted rosewood tric-trac table; the reversible rectangular brown leather-lined top with three-quarter rim and baize lined playing-surface to the reverse, enclosing and ebony tric-trac board inlaid with natural and green-stained ivory. Period : Louis XVI , 18th century.
	Beautiful and rare mahogany écritoire with a slanted top opening to reveal a storage space. Opening on the frieze with one drawer containing two inkwells spaces. On four tall fine legs supporting two shelves and ending with ormolu caps and original wooden castors. Period : Louis XVI , 18th Century
	Meissen porcelaine group revealing an ink tank with a dog and a flower pot, a bronze canderholder, and decorated with a butterfly and leaves made of painted sheet metal.The group stands on a rococo chased gilt bronze base. Period : Louis XV period
	Set of four cane armchairs attributed to Gourdin. Carved palm tree twigs climbing along the straight backseat so called "à la reine". Two similar armchairs can be seen one in the Louvre Museum in Paris and the second in the Condé Museum in Chantilly. Stamped : Attributed to Gourdin. - Period : Paris circa 1720
	A set of six solid wild cherry tree wood dining chairs carved with acanthus leaves. Beautiful work of the Rhône valley. Stamped : work of the Rhône valley. - Century : circa 1730
	Bonheur du jour with exceptional marquetry design and remarkablechased gilt bronze mounts. Veneered with maple,tinted maple and boxwood filets, it consists of a rectangular writing table topped by a recessed chest. The upper part reveals a wicket with a central drawer and locking door on each side, disclosing a mahogany drawer veneered with rose wood and box wood . The table stands on four tapered legs of square section, joined by a streching shelf. A large central drawer encloses a writing slide lined with pink silk, and a removable case with inkwell. Stamped : Attributed by Mathieu Guillaume Cramer - Period : Louis XVI period , circa 1780
	Important console table with finely carved gilt wood . A pierced frieze rounded on the sides, stands on foliage stems wich divide at the top thus releasing a large crosier. The bottom stretcher is decorated with an incense burner with flower garlands. Grey marble top with white veins. Stamped : Attributed to George Jacob - Century : Louis XVI period , circa 1780
	Lovely and very rare engraved and gilt bronze applied console decorated with stylized acanthus leaves.Louis XV period 18th Century. Period : Louis XV period 18th Century.
	Large chassed gilt bronze wall lights with three very sinuous light branches Stamped : With a crowned “R” - Period : Régence period , circa 1740
	Those paintings on étoffe de lin (linen), are fine example of the arabesque style, a design which became increasingly popular in the decorative arts during the 1780s. The fashion for foliage mixed with floral garlands and vases appears in many private Parisian houses around this time. The designs harmoniously blend iconography and symbolism: floral garlands, bouquets, scrolling foliage, and palm fronds surround central medallionds illustrating scenes. Period : Louis XVI. Circa 1780
	Painting attributed to Francis Wheatley confirmed by the expert Gerard Bea. Period : XVIIIth century
	Very beautiful pair of two light gilt bronze candelabra , with Meissen sheep and flowers decor, mounted on a carved and gilt bronze rocaille plinth; stems and leaves in sheeting. Period : 18 th century; Louis XV
	Brazilian rosewood Mazarine commode with four lines of drawers. Top inlaid with a geometrical pattern. Gilt bronze setting and cabriole legs.Louis XIV period Period : Louis XIV
	A pair of Louis XVI ormoulu and carved Candelabra by Mattew Boulton Stamped : Matthew Boulton - Period : late 18th century
	Mahogany table opening drawer with a push button; resting on four feet joined by a stretcher, carved bronze decoration, Turquin blue marble, this table is entirely dismontable Stamped : Attributed to Adam Weisweiler - Period : late Louis XVI
	Two tone ormolu bronze clock decorated at the top by a superb shining Apollo mask, Acanthus leaves and pearls design. Turquin marble base. Openwork dial by Jacques Auguste Detour in Paris. A similar clock can be seen in François Duesberg museum in Mons, Belgium Period : Louis XVI period, 18th Century.
	Pair of three-light ormolu candelabra decorated with foliage and scrolls. The two polychrome Meissen porcelain statues in the center represent a couple of musicians. Period : Louis XV period, 18th Century.
	Carved wood console table with four legs . Gilt carved lime wood. The face is decorated with a woman mask on a very finely carved background. The legs exhibit foliage scrolls. Red marble top. Period : Époque Louis XIV ; Paris circa 1700
	Rare pair of oil on glass paintings in a blue camaieu. Hannibal battle scenes. Frame decorated with grotesques, architecture parts, fruit, dogs and Diana pictures. Ormolu corner pieces . Carlo Garolfalo studio (Naples, circa 1692-1705). Stamped : Atelier de Carlo Garofalo - Period : XVIIth century Naples
	Mahogany Athenienne. Three wooden carved legs in a bird shape imitating patinated and gilt bronze. Silvered metal basin.Empire period, circa 1810. Period : Empire ; Paris vers 1810
	Very beautiful enemanel Louis XV box ;18th century Period : Louis XV period, 18th Century.
	A beautiful eight-light ormolu and cut glass Empire chandelier.Top corona from which issue cascades of drops down to an ormolu rim supporting eight candle branches above a bag base. Period : Empire, circa 1805.
	A pair of large Turquin marble vases. Medicis shape with gadroons, foliage and acanthus leaves standing on a square plinth base with shells. Origin: Château du Bourdonné, former Garaventz collection.Louis XIV period circa 1680. Period : Louis XIV period circa 1680.
	Carved and gilt oak wood bracket , regilt in two gold colors: yellow and green Period : Louis XV period , circa 1760
	Exceptional gilt and patinated bronze guéridon after the return from Pompeii. : Naples, circa 1800
	Important pair of two-light ormolu candelabra decorated with acanthus scrolls supporting oak leave festoons and enclosing a ram head.Attributed to Pitoin, Louis XVI period, circa 1770. Stamped : Attribuées à Pitoin - Period : Louis XVI, 18th century
	Solid oak wood Regency cupboard.Louis XIV period. Early 18th Century. : Louis XIV
	A large wall clock on bracket veneered with brown tortoise shell and brass. Ornament on the top figuring the time . Exceptional chased gilt bronze mounts. Stamped : Movement by signé de Denis Millard à Paris - Period : Louis XV period circa 1700
	Lovely Saxony enameled box. Salmon head hallmark.Dated 1748. Period : 1748 middle 18th century
	Beautiful spar-fluorine vase with gilt bronze mounts. Base decorated with foliage. Attributed to Mathew BoultonEngland, 18th Century, circa 1780 Stamped : Attribué à Matthew BOULTON - Period : England, 18th Century, circa 1780
	A pair of Meissen candelabra with figural group by J.J. Kandler , representing Water and Earth, two branched with candle sockets of a poppy flower design. Chased and gilt bronze mounts . Period : Louis XV period circa 1750
	A pair of two glass door bookcases, veneered with Brazilian rosewood , ornamented with brass filets, foliated flowered scrolls and rosettes. Colonnettes pillars decorated with pear-schaped gilt bronze mounts carved with water leaves. Owner stamp : the late Comtesse de Warren , Château de Madon Stamped : feue comtesse de Warren, château de Madon. - Period : Charles X period.
	Lacquered flowerpot holder on a gilt bronze mount decorated with flowers and foliage, standing on elephant heads.Napoleon III period. Period : Napoléon III period
	A French mahogany Bibliothèque 19th century; the rectangular moulded cornice above four glazed doors, enclosing a plain interior with schelvesflanked by stop-fluted pilasters and on a plinth base. Grey Saint Ann marble top. Stamped : Jacob D . François Honoré - Period : Empire circa 1810
	Mahogany game table. Removable top with a writing desk on one side and green felt on the other side. A backgammon game inside made of natural ivory and green stained ivory. Fitted with a pull out ebony/ivory chess board. Origin: Château de Chanteloup, formerly collection of Amiral-Duc de Penthièvre. Stamped : R.V.L.C. - Century : Louis XVI period. Inventory number of Château de Chanteloup.
	Mahogany gueridon with an engraved and guilt bronze cornice; Mahogany top. German work.End of 18th Century Period : 18th century
	Large Duchesse en bateau or Chaise longue. Carved regilt wood, circa 1750. The type and cut of molding of the legs and seat backs decorated with discrete carved flowers are typical of the middle of the 18th Century illustrating the transition from the rococo style to the soberness of the Louis XV style toward the end of its period. Period : Louis XV period, 18th century.
	Mantel Clock ovoid vase shaped , chased gilt bronze , swan neck handles. Palm leaf , crown, laurel leaves and trophies ornament . Dial by Faisant , Paris Stamped : Cadran signé Faizant à Paris - : Beginning of Empire period , early 19 th Century
	Beautiful veneered middle table, Brazilian rosewood with boxwood marquetry. Marble top. Opens with two small folding doors. Solid boxwood hoofs.Italy, 18th Century. Period : Italy, 18th Century.
	Pair of chairs "à la montgolfière" (which means hot-air balloon due to its shape) by Jean-Baptiste Demay. Painted beech wood. This new design was introduced following the successful and striking take off of the hot air balloon driven by the Montgolfier brothers on September 19th 1783. The event influenced the design not only of chairs but also of clocks, jewels and all kinds of furniture decoration. Stamped : Jean Baptiste Demay ; maître en 1784 - Period : XVIIIth century
	A large solid mahogany gueridon. Two drawers as well as leather covered slides on opposed sides. Four cambered legs fitted with wheels. Chassed gilt bronze mounts, blue Turquin marble top. Stamped : Stamped by Canabas “Joseph Canabas dit” Gengenbach reçu maître en 1766 - Period :
	Rosewood and amaranth veneered case clock decorated with rich engraved ormolu mounts: lion head, Medicis vase, Henri IV profile, crown, laurel foliage, acorn and oak leaves. The dial is signed by Pierre Dubois in Paris. The case is stamped J. Goyer, a cabinet maker specialized in cases for clocks. Bronzes attributed to Osmond. Stamped : J.Goyer - Period : Louis XVI period, 18th Century.
	Beautiful pair of candelabra made of carved walnut decorated with foliage and festoons and standing on a tripod with leaves and geometrical designs.Regency period. Early 18th Century. Period : Regency period. Early 18th Century.
	Each with chanelled back with removable padded back and drop-in seat covered in blue and with-striped silk the top and seat-rail centered by flowerhead on cabriole legs headed by flowerheads and terminating in scroll feet, one stamped once, the other twice to the inside of back-rail, one marked A the other B to same area in black pen . Stamped : Nicolas Quinibert Foliot; maître en 1729 - : Louis XV
	Pair of large ormolu and patinated aiguières. Handles with scrolled winged Caryatides. Decorated with Mercury and Pegasus masks, lotus leaves and standing on a square plinth base.Restauration period, circa 1820. : Resauration Paris vers 1820
	A pair of large chased gilt bronze and patinated candelabras with four light branches rising out of a basket hold by two winged women , standing on a square based column topped by a sphere. Stamped : Stamped inside the base by , Chisboust - : Paris, Restauration period , circa 1815
	Beautiful and large sofa, carved and painted wood decorated with clamps and scrolls, standing on eight fluted legs with a rose on each connecting die.Louis XVI period, Paris circa 1780. Century : Louis XVI period, Paris circa 1780.
	Beautiful Mazarin Bureau. Ebony and blackened wood decorated with a rich polychrome marquetery representing floral arrangements on the front and both sides. Stripes of pewter and ivory flowers inlays. The top depicts a magnificent basket of flowers with interlaced ribbons trimmed with birds, chimeras and masks. The facade is slightly rounded and incorporates six drawers laid out in two caissons separated by a larger central drawer and a folding door. It stands on eight marquetry decorated tapering legs joined by two X-shaped stretchers. Gilt lock mounts of a royal lily shape.Louis XIV period. Paris, Late 17th-early 18th Century. Stamped : Attribué à André-Charles Boulle (1642-1732) - Century : Louis XIV period. Paris, Late 17th-early 18th Century.
	Dininng room side board Louis XV-Louis XVI transition period. Fitted with four doors and three drawers rosewood veneered with a butterfly wing design. Marquetry of foliation and interlacing. Beautiful bronze mounts, marble top.Stamped François Rübestück. 18th century circa 1760. Stamped : François Rübestück. - : 18th century circa 1760.
	Oil on canvas representing the Fall. A young man holds a bunch of grapes and a basket full of peaches, figs and grapes on a landscape background. Typical of the Casa Piola school production. Attributed to Paolo Geralamo (1666-1724) son of Domenico Piola, a famous Genoese painter.17th Century Genoa, Italy, circa 1690. : 17th Century Genoa, Italy, circa 1690.
	A beautiful pair of wall lights, two branches , chased gilt bronze Period : Louis XV period , circa 1750
	Magnificent and exceptional four-legged console table. Finely carved gilt oak wood. A beautiful, massive brèche du Languedoc marble rests on a freeze of interlacing foliage with delicately carved rais de cÏur design, garlands of forget-me-not, roses flowers and acorns. The four legs are connected by a stretcher decorated with interlaces topped by a large vase issuing garlands of flowers . Legs are terminated by gadrooned balls.Louis XVI period. Paris circa 1765 Century : Louis XVI period. Paris circa 1765
	A pair of corner cupboards, mahogany and mahogany veneered . The frieze reveals a drawerand two slides. Chased gilt bronze mounts , Carrare marble top, Stamped : Stamped Mauter Conrad maître le 10 Septembre 1777 - Century : Louis XVI period
	Solid mahogany commode on an oak frame. Winding shape. Five drawers and two lateral doors revealing corner shelves. Chased gilt bronze mounts. Very rare marine alabaster top. Stamped : Attributed à Canabas, “Joseph Canabas dit Gegenbach”, ébéniste reçu maître en 1766 - Century : Transitional LXV LXVI period Paris circa 1765
	Pair of four-light ormolu patinated bronze candelabra. The lights spring out of flames hold above their heads by Putti. They stand on sphere headed columns on a square base. Signed inside the base by Chiboust.Restauration period, Paris circa 1815 Stamped : Signed inside the base by Chiboust. - Century : 19th Century, Paris circa 1815
	A pair of ornemental vases made of white and red griotte marble and standing on a squarre base. Chased gilt bronze mounts . Century : Consulat period, circa 1800
	Lovely chased ormolu wall clock.Signed J. B. Dutertre. Louis XVI period, circa 1770. Stamped : Cadran signé J. B. Dutertre. - Century : 18th Century circa 1770
	Eight-light carved gilt wood chandelier decorated with foliage, acanthus leaves and beads.Louis XIV period. Century : Louis XIV period.
	Carved two-tone painted oak console table standing on four legs. White Carrare marble top resting on a pierced freeze carved with olive tree leaves and olives, and decorated with garlands of oak tree leaves and acorns. Legs are topped with sunflowers and a rais de Coeur fringe.Louis XVI period, Paris circa 1780. Century : 18th Century, Paris circa 1780
	Pair of large rose granite urn shaped vases.18th Century, circa 1800 Century : Late 18th Century, circa 1800
	A rare pair of finely chased, two light bronze candelabras. Fluted stem decorated with a heart frieze . The light branches with acanthus leaves are supported by rings. Candle holders and drip pans decorated with roses , gadroons and foliage. Round base with acanthus leaves. Russian work. Century : Late 18th century
	Pair of chased ormolu Candlesticks. The stems are decorated with caryatids and the bases with pearls and acanthus leaves.Early 19th Century. Century : Early 19th Century.
	Mahogany veneered worktable . Oak frame and solid mahogany, brass moldings. The lateral posts decorated with inlaid brass flutes are fitted with casters. Brocatelle d'Espagne marble top surrounded by a thick ormolu bronze cornice.Attributed to A. Weisweiler. End of Louis XVI period, circa 1790 Stamped : Attributed to A. Weisweiler. - Century : Late 18th Century, Paris circa 1790
	Beautiful clock bronzy portico carved and gilded in four sums , the signed face” Mercier in Paris” encircled by the signs of the zodiac. Stamped : signé “Mercier à Paris” - : Directoire ; late 18 th century
	Oval small table, mahogany veneered, with an oak frame. The front drawer discloses a removable pull-out lined with green leather for writing on one side and a beauty mirror on the other side. Two lateral swivel drawers. It stands on four tapered legs decorated with saw tooth chased plates on three sides and fitted with ormolu bronze sabots with casters. Fluted leg tops with grotesque masks. The table belt is decorated with a saw tooth chased gilt bronze frame and the brèche du Languedoc marble top is surrounded by an ormolu bronze cornice. Attributed to Roentgen, Louis XVI period, circa 1790. Stamped : Attributed to Roentgen, - : Louis XVI period, circa 1790.
	Small Mazarin desk red tortoise shell veneered. Fir tree frame and oak tree drawers. The façade incorporates four drawers with a central door. A flap on the top discloses ,when open, four small drawers. Ebony marquetry with geometrical designs and ivory inlays. The back side is Brazil rosewood veneered. Stands on eight legs joined by a stretcher, each leg carries two carved wood gilt rings and a sphere. Steel hinges and locks, chased ormolu lock mounts.Attributed to Pierre Gole, Louis XIV period, circa 1650. Stamped : Attributed to Pierre Gole, - : Louis XIV period, circa 1650.
	Elbow high book shelf, ebony veneered on a fir tree wood structure. Decorated with brass filets on the top and the sides. Boulle marquetry with an ebony background on window paneled doors. Two fixed shelves and an indented base. Bronze lock mounts.Louis XIV period, Paris circa 1700. : Louis XIV period, Paris circa 1700.
	A Louis XV ormolu cartel clock by Pierre Leroy, Master in 1737 and clockmaker of the King.18th Century, circa 1740. Stamped : Pierre Leroy, Maître en 1737 - : 18th Century, circa 1740.
	A rare pair of chased gilt and patinated bronze torches. The stems decorated with rosettes and lotus leaves support incense burner like candle holders in the form of antique oil lamps with an eagle and stylized flames. Tripod base enhanced with ram head, urns and foliated scrolls. Russia : russia , circa 1800
	Painter of landscapes Josepf Orient was Anton Feistenberger’s disciple before becoming second in charge at the Vienna Academie. His sceneries often hilly show a real ability through blended colours.Oil on silver plated metal Stamped : Joseph Orient (Purbach 1677 - Vienne 1747) - : 18 th Century
	The rosebud by Pierre Alexandre Wille 1748- 1821. Oil on canvas.Signed on the right at the bottom. WILLE FILIOUS Pxt 1777 Stamped : Pierre Alexandre Wille 1748-1821 signé et daté en bas à droite WILLE FILIUS Pxit 1777 N¡34 - : Wille Filius 1777
	Bacchus chilhood. Oil on canvas.Attributed to Hendrick van Balen ( 1575-1632 ), Antwerp Stamped : Hendrik Van Balen Anvers 1575 - 1632 - :